
More like haunted house.
The Horrors - Strange House
[3.5/5] Just listening to their CD can't do the Horrors justice. For the London quintet, it's far more about their dark, gothic visual aesthetic and I-don't-give-a-fuck persona than it is about the music, which owes considerable debt to bands like the Damned, Misfits and the Cramps. The cacophonous songs on their debut are terse, under-produced and not exactly something you'd put on heavy rotation on your iPod. But what the Horrors do, they do well, ravaging your eardrums with heavily distorted punk guitars, shot-fire drums and spooky, horror film soundtrack organs as singer Faris "Rotter" Badwan screeches nearly intelligible lyrics about Jack the Ripper and girls who are parasites. There's a sense of wide-eyed insanity to it all, like perhaps these big-haired, black-clad lads really did just crawl out of coffins before recording, and it's exactly that creepy feeling that makes the record-and the band-so compelling. (STOLEN TRANSMISSION) Emily Zemler
Official Website: http://www.stolentransmission.com
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Also in this issue:
- Circa Survive
- Mad Caddies
- The Used
- The Arsons
- Brakesbrakesbrakes
- The Dollyrots
- J Church
- Leftover Crack/Citizen Fish
- Maxïmo Park
- Witches With Dicks
- Various Artists
- Joseph Arthur & the Lonely Astronauts
- Jarvis Cocker
- The Gang Font feat. Interloper
- Glös
- The Only Children
- Battles
- Other Men
- Page France
- The Sea And Cake
- The Snake The Cross The Crown
- Travis
- Funeral For A Friend
- Job For A Cowboy
- Akimbo
- The Burning Season
- Dir En Grey
- The Fall Of Troy
- Maylene And The Sons Of Disaster
- Megadeth
- See You Next Tuesday
- Static-X
- Vanna
- The Nightwatchman
- Black Rebel Motorcycle Club
- The Fall/Von Sudenfed
- Nine Inch Nails
- The Fucking Champs
- Mêlée
- Sherwood
- Patti Smith
- We Are The Fury
- Weatherbox
- Wilco
- Sage Francis
- GusGus
- Josh Haden
- Dntel
- Monstrance
- Christopher O'Riley
- Avey Tare & Kria Brekkan
- Other sections...





























[3.5/5] Just listening to their CD can't do the Horrors justice. For the London quintet, it's far more about their dark, gothic visual aesthetic and I-don't-give-a-fuck persona than it is about the music, which owes considerable debt to bands like the Damned, Misfits and the Cramps. The cacophonous songs on their debut are terse, under-produced and not exactly something you'd put on heavy rotation on your iPod. But what the Horrors do, they do well, ravaging your eardrums with heavily distorted punk guitars, shot-fire drums and spooky, horror film soundtrack organs as singer Faris "Rotter" Badwan screeches nearly intelligible lyrics about Jack the Ripper and girls who are parasites. There's a sense of wide-eyed insanity to it all, like perhaps these big-haired, black-clad lads really did just crawl out of coffins before recording, and it's exactly that creepy feeling that makes the record-and the band-so compelling. (STOLEN TRANSMISSION) Emily Zemler
Official Website: 
