
Whitmore singing in the dead of night.
William Elliott Whitmore - Song Of The BlackbirdPosted by Tim Karan on 06-Dec-06 @ 01:32 PM
[5/5] The third and final album in a trilogy that began with 2003's Hymns For The Hopeless and last year's Ashes To Dust, Song Of The Blackbird sees Iowa singer/songwriter/farmer William Elliott Whitmore-a 28-year old white man-performing another sparsely beautiful batch of instant country/folk classics, at least half of which sound like they were written by a hundred-year old black man about 50 years ago. From the opener "Dry," with its razor-sharp banjo accompaniment, to "Take It On The Chin"-the best song Guy Clark never wrote-Whitmore uses the story of a particularly harsh farming cycle, with its attendant drought and flood, as an allegory for rebirth and transcendence. The result is an album with true emotional power. Seriously, it's like that scene from Heartworn Highways in which Townes Van Zandt plays "Waitin' Around To Die" and Seymour Washington starts crying. (SOUTHERN) J. Bennett
Official Website: http://www.southern.com
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Also in this issue:
- Norma Jean
- Heavens
- Ben Kweller
- Over It
- Planes Mistaken For Stars
- Wolf Eyes
- Gatsbys American Dream
- As Tall As Lions
- The Black Maria
- Boy Kill Boy
- ¡Forward, Russia!
- Jucifer
- Park
- Starflyer 59
- Voicst
- The Zutons
- The Album Leaf
- Eric Bachmann
- Micah P. Hinson
- Page France
- Jim Noir
- Umbrellas
- Envy
- Fear Before The March Of Flames
- Hatebreed
- The Hope Conspiracy
- Mastodon
- Walls Of Jericho
- Blowfly
- Daughters
- DJ Starscream
- Miss Violetta Beauregard
- Rabbit Ears
- Shat
- Other sections...





























[5/5] The third and final album in a trilogy that began with 2003's Hymns For The Hopeless and last year's Ashes To Dust, Song Of The Blackbird sees Iowa singer/songwriter/farmer William Elliott Whitmore-a 28-year old white man-performing another sparsely beautiful batch of instant country/folk classics, at least half of which sound like they were written by a hundred-year old black man about 50 years ago. From the opener "Dry," with its razor-sharp banjo accompaniment, to "Take It On The Chin"-the best song Guy Clark never wrote-Whitmore uses the story of a particularly harsh farming cycle, with its attendant drought and flood, as an allegory for rebirth and transcendence. The result is an album with true emotional power. Seriously, it's like that scene from Heartworn Highways in which Townes Van Zandt plays "Waitin' Around To Die" and Seymour Washington starts crying. (SOUTHERN) J. Bennett
Official Website: 
