
Hell’s preferred crooner fully tears the lid off.
Scott Walker - The DriftPosted by Editorial Intern on 02-Jun-06 @ 11:34 AM
[5/5] Find yourself wondering just what's "alternative" anymore? Try this uncompromisingly penetrating work-the latest from a 63-year-old expatriate Yank who, before leaping into the avant-garde deep end with The Drift (and, before it, 1995's Tilt), made his name blending the stained soul of Jacques Brel into a Sinatra-smooth package of crooning vocals and lush arrangements. But "shaved down" (as Walker describes it) doesn't begin to describe the cinematic Rorschach minimalism of The Drift, just his third release in over 30 ears. Walker's operatic bursts of English bound by neither syntax nor semantics read like T.S. Eliot and sound like auditory hallucinations colliding, as monochromatic stabs of guitar and tubax duel in the background with struck meat and pounding stone. With The Drift, Walker has gone as far into the atmosphere as one can travel while still being earthbound.
(4AD) Erick Haight
Official Website: http://www.4ad.com
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Also in this issue:
- Damone
- Jonas Brother
- Murder By Death
- The Raconteurs
- Radio 4
- Serena Maneesh
- The Walkmen
- Whirlwind Heat
- Against All Authority
- Be Your Own PET
- The Classic Crime
- Controlling The Famous
- The Ducky Boys
- Moneen
- New Mexican Disaster Squad
- Ryan's Hope
- Alias & Tarsier
- Beans Feat. William Parker And Hamid Drake
- Dub Trio
- Espers
- Eugene Mirman
- MSTRKRFT
- Don Caballero
- Kalas
- Lair Of The Minotaur
- The Melvins
- Ocrilim
- Path Of Resistance
- Russian Circles
- The Fiery Furnaces
- The Forecast
- Gomez
- Micah P. Hinson
- John Ralston
- The Stills
- Twilight Singers
- Underoath
- Halifax
- Angels & Airwaves
- Head Automatica
- The Black Heart Procession
- Matmos
- Tilly And The Wall
- Peeping Tom
- Tool
- Other sections...





























[5/5] Find yourself wondering just what's "alternative" anymore? Try this uncompromisingly penetrating work-the latest from a 63-year-old expatriate Yank who, before leaping into the avant-garde deep end with The Drift (and, before it, 1995's Tilt), made his name blending the stained soul of Jacques Brel into a Sinatra-smooth package of crooning vocals and lush arrangements. But "shaved down" (as Walker describes it) doesn't begin to describe the cinematic Rorschach minimalism of The Drift, just his third release in over 30 ears. Walker's operatic bursts of English bound by neither syntax nor semantics read like T.S. Eliot and sound like auditory hallucinations colliding, as monochromatic stabs of guitar and tubax duel in the background with struck meat and pounding stone. With The Drift, Walker has gone as far into the atmosphere as one can travel while still being earthbound.
(4AD) Erick Haight
Official Website: 
