
Light on substance, heavy on infectiousness.
The Classic Crime - AlbatrossPosted by Editorial Intern on 01-Jun-06 @ 01:24 PM
[4/5] It's summer, people. We don't need a nation of bands who can rewrite Rodgers & Hammerstein or reinvent modern rock; a few free-spirited sing-alongs will do just fine, thanks. This bodes well for the Classic Crime, a young band who share the same high-ceiling playlist potential as, say, Acceptance, and deliver on it in a way that's genuinely affecting. "The Coldest Heart," for instance, starts like a My Chemical Romance number, but its buoyant arpeggio is merely a tool that sets up vocalist Matt MacDonald for the kind of soaring chorus that can set a disc in flight. Even though Albatross isn't heavy on new ideas, it pulls strength from consistency. So if the Classic Crime are guilty of anything, it's probably for forging their barely legal birth certificates-because Albatross sounds like the work of a band in mid-career fighting shape.
(TOOTH & NAIL) Tristan Staddon
Official Website: http://www.toothandnail.com
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Also in this issue:
- Damone
- Jonas Brother
- Murder By Death
- The Raconteurs
- Radio 4
- Serena Maneesh
- The Walkmen
- Whirlwind Heat
- Against All Authority
- Be Your Own PET
- Controlling The Famous
- The Ducky Boys
- Moneen
- New Mexican Disaster Squad
- Ryan's Hope
- Alias & Tarsier
- Beans Feat. William Parker And Hamid Drake
- Dub Trio
- Espers
- Eugene Mirman
- MSTRKRFT
- Scott Walker
- Don Caballero
- Kalas
- Lair Of The Minotaur
- The Melvins
- Ocrilim
- Path Of Resistance
- Russian Circles
- The Fiery Furnaces
- The Forecast
- Gomez
- Micah P. Hinson
- John Ralston
- The Stills
- Twilight Singers
- Underoath
- Halifax
- Angels & Airwaves
- Head Automatica
- The Black Heart Procession
- Matmos
- Tilly And The Wall
- Peeping Tom
- Tool
- Other sections...





























[4/5] It's summer, people. We don't need a nation of bands who can rewrite Rodgers & Hammerstein or reinvent modern rock; a few free-spirited sing-alongs will do just fine, thanks. This bodes well for the Classic Crime, a young band who share the same high-ceiling playlist potential as, say, Acceptance, and deliver on it in a way that's genuinely affecting. "The Coldest Heart," for instance, starts like a My Chemical Romance number, but its buoyant arpeggio is merely a tool that sets up vocalist Matt MacDonald for the kind of soaring chorus that can set a disc in flight. Even though Albatross isn't heavy on new ideas, it pulls strength from consistency. So if the Classic Crime are guilty of anything, it's probably for forging their barely legal birth certificates-because Albatross sounds like the work of a band in mid-career fighting shape.
(TOOTH & NAIL) Tristan Staddon
Official Website: 
